This works speaks of women as shadows, as spectral images in which veils erase the individual creating imprecise boundaries. The narrative is built from an inert woman’s body, whose identity dissolves into the collective implied in the multiple veils that cover her. Female bodies are spectral disquieting images. The fragmented limit, the repetition of movement, refer us to an inexorable present. The gray color, the lines, the cursor, leads us to a fictional status from which there is no possibility of getting free since the characters are trapped in the digital world and in a time loop.